Mozart had planned a concert series at which the Symphony No. Notes on the Program. 41, “Jupiter” Notes on the Program By Noel Morris ©2020 T here are many quotes to this effect. PARTAGER PLAYLIST. NOV 3 – 5 | This convivial concert brims with music as a celebration of life. “His great Symphony in C with the closing fugue is truly the first of all symphonies,” declared Nissen. In performance, one may be struck by how this work, though filled with incident, unrolls with a luxurious stride, at least until its finale. OSKAR OZOLINCH, NCS VIOLIN Symphony No. 38 in D … But the “wunder But the “wunder Symphony No. The first and second movements both included passages in which the bass line descended by chromatic steps. 41, as the final work, has no introduction (unlike No. Ticket Information; Season Subscriptions 39 in E-flat major, No. Mozart: Symphony No. One can only marvel at how this opening music takes on strikingly different characters when it recurs—for example, in the passage in the middle of the exposition where the opening “emphatic theme” is rendered by just first and second violins, playing softly in octaves beneath a chuckling filigree of scales from the flute and oboe (with a bit of support from the bassoons). Symphonie No.41 en Do majeur (Jupiter) KV 551 Wolfgang Amadeus Mozart. Died December 5, 1791, Vienna, Austria. Wolfgang Amadeus Mozart completed his Symphony No. BORN: May 11, 1895 in Woodinville, Mississippi DIED: December 3, 1978 in Los Angeles, California WORK COMPOSED: … Saturday, January 19 at 8PM and Sunday, January 20 at 4PM, at the Lesher Center in Walnut Creek . RACHMANINOFF AND MOZART - NOVEMBER 11, 12 & 13 The White Peacock C H A RL E S TO M L I N S ON G R IFFES Born September … MOZART: Jupiter Symphony. This name stems not from Mozart but rather was likely coined by the impresario Johann Peter Salomon in an early arrangement for piano. In fact, he has already stated it, in the Trio of the Menuetto, where we are not likely to have paid much attention to it. James M. Keller is Program Annotator of the San Francisco Symphony and the New York Philharmonic. 41 on 10 August. The longest and last symphony that he composed, it is regarded by many critics as among the greatest symphonies in classical music. Michael Steinberg, the San Francisco Symphony’s program annotator from 1979 to 1999 and a contributing writer to our program book until his death in 2009, was one of the nation’s pre-eminent writers on music. 41 in C major, K. 551 (1788) Wolfgang Amadeus Mozart (1756 – 1791) One of the greatest demonstrations of musical creativity over a short span of time took place during the summer of 1788, when Mozart wrote his last three symphonies in six weeks. 41 in C Major, K. 551 | Runyan Program Notes Program notes – Glen Phillips ... Those composers wrote for the present, not the future, hence Mozart’s 41 Symphonies and Joseph Haydn’s 70-plus string quartets. The summer of 1788 was a grim one for Mozart, marked by financial problems and the death of his six year old daughter Theresia. Saint-Saëns’ Cello Concerto No. Symphony No. 40 on 25 July. This is a joke that had recently been made by Mozart’s friend Haydn, in his Quartet in D major (Opus 50, no.6, nicknamed the Frog); it was published in October 1787, about ten months before Mozart wrote this symphony. Misc. The opening Allegro starts out with a definitive statement from the whole orchestra, followed by a more lyrical theme in the strings. Symphony No. Surrounding the concerto is the West Coast premiere of Joseph Hallman’s 21st-century composition, Ravel, 1919)–by Maurice Ravel (1875–1937) The Four Seasons of Buenos Aires (arr. Notes Possibly a pirated ed. Other themes make their entrances one by one—not extended melodies so much as fleeting motifs, yet Mozart gives them all enough play to lend them familiarity. The Trio section plays a joke on listeners by (as musicologist Peter Brown put it) “having the end of the phrase precede its beginning”; that is to say, the opening notes of each phrase sounds like a concluding cadence, while the notes that follow sound like they are revving up for that conclusion—whereas they themselves end up being the end. He was the head of music for the immensely wealthy Esterházy family in modern-day Austria, writing and directing for their bustling cultural life. Program Notes by Don Adkins! As this continues, the two oboes enter to sustain a “pedal tone” on the note D (the dominant note in this passage), and then solo bassoon adds its voice to the violins’ line, which means that the melody is sounding in three different octaves at once. Victoria Symphony Virtual Season; Tickets. Near the exposition’s end Mozart injects the last of numerous themes to populate this movement, a lighthearted, skipping tune (self-borrowed from his concert aria “Un bacio di mano”) that, for all its simplicity, reveals a brilliant touch of orchestration. %PDF-1.6 %���� 41, Mozart seems intent on showing off his sheer brilliance as a composer. Gardiner shapes II delicately and his players shade the music with matching delicacy; a graceful performance ensues. OSKAR OZOLINCH, NCS VIOLIN Symphony No. - 0.0/10 2 4 6 8 10 (-) - V / V / V - 4635×⇩ - Caprotti. Symphony No. 41 (Mozart) has been listed as a level-4 vital article in Art. WILLIAM GRANT STILL: Mother and Child. 41 in C Major, K. 551, ... Kansas Cty Symphony PROGRAM NOTES By Ken Meltzer 24 2018/19 Season kcsymphony.org | Haydn composed his Symphony No. Andante cantabile 3. 10 is a very special piece for me. Almost incredibly, all three were produced in the space of about nine weeks, in the summer of 1788: he began his Symphony No. 40 in G Minor, K. 550 Mozart entered this symphony in his catalog on July 25, 1788. The story of his final three symphonies occupies a full chapter of this life-as-novel—unfortunately, one that falls not terribly far from its end. The work is nicknamed the Jupiter Symphony, likely coined by the impresario Johann Peter Salomon. 41 in C major, K.551, Jupiter. 40 was completed on 25 July and No. Sometimes, however, the mask slips. Deutsch, Otto Erich (1965). To be sure, the first movement bears a fast tempo marking, Allegro vivace; but its opening phrases are stately, their rhythms emphatic and their harmonic motion firmly anchored in the home key. Misc. No. The date of the first performance is not known. 1 in E-flat major, K.16 Symphony No. The development arrives via an unembellished harmonic step from C to E-flat. The Occasion Franz Joseph Haydn lived in a time of great social change and political foment. WILLIAM GRANT STILL: Mother and Child. An invigorating first movement predominates, followed by a … From the heroic opening From the heroic opening flourishes of the Allegro vivace to the triumphant five-part fugato near the end of the fourth movement Molto Allegro, the piece bubbles over with Mozart’s high spirits and compositional genius. h�bbd``b`�$�A,% �.bmLS@�U b��"b@�t+ D䀸f �X~@�+H����7��a �4��$���H���g� �cJ By continuing to browse the site you are agreeing to our use of cookies. Mozart: Symphony No. Whether the association was in Mozart’s mind or not, he develops this sonata-form movement in a way that has very little to do with the Baroque. We are privileged to continue publishing his program notes. Symphony No. 41 in C Major, K. 551, “Jupiter” Program Notes + Joseph Bologne, Chevalier de Saint-Georges Overture to “L’Amant Anonyme” Back in the second half of the 1700s, Joseph Bologne, Chevalier de Saint-Georges, was the talk of Paris. 41 in C major, “Jupiter” was to be played, but there is no historical evidence to prove the premiere of “Jupiter” took place at the series. Le groupe thématique A comporte plusieurs idées : A1 qui est en Do M et caractérisé par ses 4 rondes initiales, ce thème A1 a été amorcé dans le menuet (il y a donc un souci d'unité des mouvements de la symphonie), le thème A1 domine, reste principal par rapport aux autres éléments de A ; A2 est aussi en Do M et ce motif affirme très nettement les notes de la tonalité. 41 is the … Wagner is perhaps best-known for his grand operatic works, but his Siegfried Idyll, a symphonic poem for chamber orchestra, reflects a gentle, tender side of the composer. Indeed it does display that dance’s essential attributes of 3/4 meter with a stress on the second beat, but it nonetheless seems a remote connection. On désigna par « tête de thème » (ou « incipit ») les 2 ou 3 premières notes d’un thème. Its emotional range is wide indeed, prefiguring the vast expressive canvas that would emerge in the symphonies of Beethoven. The date of the first performance is not known. 39 around the beginning of June, not quite a month after Don Giovanni was granted a lukewarm reception at its Vienna premiere, and went on to complete the succeeding symphonies on July 25 and August 10. Composed in 1788, the Symphony No. 41 in C Major, K. 551, "Jupiter" Wolfgang Amadeus Mozart Mozart did not actually call his last and most famous symphony, completed on August 10, 1788, the "Jupiter." Symphony No. Symphony 39 is one of my favourite Mozart pieces. Mozart would return to Salzburg alone and … 1, written nearly 90 years after Mozart’s final Symphony, represents the 19th century. 41, was written in just 16 days. The Marianne Williams Tobias Program Note Annotator Chair. 41, the so-called “Jupiter” Symphony, by Wolfgang Amadeus Mozart (1756–1791). The concert ends with a work that, in its final movement, miraculously combines the fugal rigor of the Beethoven with the lightness of spirit represented by the Higdon—the Symphony No. b. Salzburg, Austria / January 27, 1756. d. Vienna, Austria / December 5, 1791. Symphony No. If you can improve it, please do. The symphony, in three movements, contains references to liturgical melodies. Today’s “Haffner” Symphony, one of Mozart’s greatest masterpieces, was composed with a special celerity. But he was no boat-rocker, unlike his former student Beethoven, who once told a prince that his high position was “an accident of birth.” For much of his life, Haydn had a steady job. It all passes quickly, leaving a listener amazed but bereft of the possibility of pondering what is happening while it is going on. They stayed until October and, on their return trip home to Vienna, stopped at Linz, where Mozart’s patron Count Thun offered them his hospitality. W. A. MOZART Symphony No. For Piano (Meves) Complete Score * #107362 - 2.69MB, 23 pp. 41 in C Major, K. 551, is Mozart’s last symphony, and it is one of the great masterpieces of the genre. In late July of 1782, Mozart was at work on a wind-band arrangement of the orchestral parts of his recently premiered Opera, The Abduction from the Seraglio , when he received a letter from his father in Salzburg with a commission for a Serenade for some friends, the Haffners. Home; Concerts. 41 in C major, K. 551, is, in terms of its architecture and the majesty of its gestures, an appropriate climax to the trilogy. MP3 • • • Annoter cette partition. We are privileged to continue publishing his program notes. 33. endstream endobj 41 0 obj <> endobj 42 0 obj <. For Piano (Meves) Complete Score * #107362 - 2.69MB, 23 pp. Analysts have sometimes described this movement as being rooted in the sarabande, a French courtly dance of the Baroque. Box Office: Grove Street, between Van Ness and Franklin, Mozart: Symphony No. The similarities between Michael’s 29 th and 39 th, and Mozart’s 41 st are sometimes startling, as you can hear. 40 in G minor, this final symphony seems in no great hurry even when its music is moving quickly. Albert Einstein put it this way: “Mozart is the greatest composer of all. for piano, flute, violin, and cello that was issued by Chappell in 1823. 26 |NEW YORK PHILHARMONIC. for piano, flute, violin, and cello that was issued by Chappell in 1823. His book Chamber Music: A Listener’s Guide (Oxford University Press) is now also available as an e-book and as an Oxford paperback. THE LEGACY Symphony No. Mozart’s Symphony No. BORN: May 11, 1895 in Woodinville, Mississippi DIED: December 3, 1978 in Los Angeles, California WORK COMPOSED: … 48, "Maria Theresia" MOZART Mass in C Minor, K. 427 Learn 41 in C major, K. 551, was completed by Wolfgang Amadeus Mozart on 10 August 1788. K. 550 has always attracted attention and comment. Now it holds pride of place, at first on its own, then in counterpoint with itself. Henry Hadley conducted. La Symphonie n° 41 « Jupiter » est la dernière de Mozart. 33. The Symphony No. 40 0 obj <> endobj 77 0 obj <>stream 40 in G Minor, K. 550 Mozart entered this symphony in his catalog on July 25, 1788. 41, Jupiter. Menuetto: Allegretto 4. His books are available at the Symphony Store in Davies Symphony Hall. J'AIME . Mozart’s final three symphonies – Nos. endstream endobj startxref Nikolaus Harnoncourt argues that Mozart composed the three symphonies as a unified work, pointing, among other things, to the fact that the Symphony No. Mozart composed Idomeneo for the Elector of Bavaria’s court in Munich French opera was popular, and a ballet sequence was mandatory; Mozart used a theme by Gluck for his first movement Rhythmic consistency and gorgeous melodies make this music perfect for dancing; During … Mozart : “Symphony No. 40 in G Minor, K. 550 WOLFGANG AMADEUS MOZART BORN January 27, 1756, in Salzburg; died December 5, 1791, in Vienna PREMIERE Composed 1788; first … But he withholds the most astonishing surprise until the coda: a breathtaking display of counterpoint—five melodies sounding against one another, worked out so any of them can fall at any pitch level within the orchestral texture. The Symphony No. If this symphony sounds tame by today’s standard, it wasn’t to those who first heard it, notes Alfred Einstein in Mozart: His Character, His Work. 39, 40, and 41 – were composed in nine weeks during the summer of 1788. Mozart probably wrote them for a series of concerts he planned to present in Vienna later that summer, or for a trip to London (which he never made), or perhaps both. Michael Steinberg, the San Francisco Symphony’s program annotator from 1979 to 1999 and a contributing writer to our program book until his death in 2009, was one of the nation’s pre-eminent writers on music. 39 was completed on 26 June and No. Empreinte d’une grande sérénité et d’un haut pouvoir expressif, elle présente plusieurs éléments nouveaux dans son écriture. 41 in C major, K. 551, on 10 August 1788. A. t the end of this concert, we will hear the Symphony No. Conductor Xian Zhang leads the Seattle Symphony in music by William Grant Still, Wolfgang Amadeus Mozart, and Ludwig van Beethoven on Thursday, September 24, 2020 at 7:30pm on Seattle Symphony Live. That doesn’t factor in that he was writing other pieces at the same time, giving piano lessons, tending a sick wife, enduring the death of a six-month-old daughter, entertaining friends, moving to a new apartment, and pestering his fellow freemason Michael Puchberg for financial loans. Allegro vivace 2. PROGRAM NOTES. 41 in C Major, K. 551, “Jupiter” 1. This symphony was written within the remarkable period between June 28 and August 10 wherein he composed his last three symphonies: 39, 40, and 41. Conductor Xian Zhang leads the Seattle Symphony in music by William Grant Still, Wolfgang Amadeus Mozart, and Ludwig van Beethoven on Thursday, September 24, 2020 at 7:30pm on Seattle Symphony Live. Salzburg, Austria, COMPOSED: July 25 (at earliest) through August 10, 1788, WORLD PREMIERE: No information has survived concerning its premiere, although a concert of Vienna’s Tonkünstler Societät in April 1791 did include “a grand symphony” by Mozart, and this may have been this work, US PREMIERE: January 7, 1843, Henry Schmidt conducted the Academy of Music in a performance at the Boston Odeon, SFS PERFORMANCES: FIRST—February 7, 1913. Twelve movements in nine weeks would mean that, on the average, Mozart expended five days and a few hours on the composition of each movement. Symphony No. 41 in C major (Jupiter)—continue to stand at the summit of the symphonic repertory, where they keep company with a small and supremely select group of fellow-masterpieces by the A-list of composers. 41 - Jupiter” (Nikolaus Harnoncourt, 1982) Symphony No. ©2020 San Francisco Symphony | Privacy & Terms. 10 is a very special piece for me. WOLFGANG AMADEUS MOZART . 41, nicknamed “Jupiter” in 1788. La Symphonie no 41 en ut majeur, K. 551, dite Jupiter, est une symphonie composée par Wolfgang Amadeus Mozart en juillet-août 1788 et achevée le 10 août 1788, alors qu'il était âgé de 32 ans. The first two measures are for strings alone: first and second violins playing the melody in octaves, cellos accompanying with simple arpeggios, violas and double basses plucking pizzicatos on the opening beat of each measure. The last of the three, Symphony No. PROGRAM ONE HUNDRED TWENTY-FIFTH SEASON Chicago Symphony Orchestra Riccardo Muti Zell Music Director Yo-Yo Ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO Thursday, June 2, 2016, at 8:00 Friday, June 3, 2016, at 8:00 Saturday, June 4, 2016, at 8:00 Tuesday, June 7, 2016, at 7:30 Edo de Waart Conductor Daniel Gingrich Horn Mozart Symphony No. Certainly compared to its predecessor, … Symphony No. 38 in D … Symphony No. In the summer of 1788, Mozart found himself in financial despair. I always look forward to playing this incredible masterpiece since there’s something new to discover with each interpretation. MOZART & HAYDN. Haydn may have been a musician for hire, but he couldn’t keep his personality from bursting at ever… In 1798, a reviewer for Leipzig’s Allgemeine musikalische Zeitung referred to Mozart’s “formidable Symphony in C major, in which, as is well known, he came on a little too strong.” But soon commentators adopted tones of almost universal adulation. 36 (“Linz”), K. 425. Mozart's final symphony was nicknamed the "Jupiter," and - like the planet and the Roman god that share its name - it still stands out as one of the greatest of its kind. THE BACKSTORY Mozart’s biography contains such an amazing procession of experiences and achievements that it reads almost like an eighteenth century novel. 41 in C major, K.551, Jupiter, JOHANN CHRYSOSTOM WOLFGANG GOTTLIEB MOZART, BORN: January 27, 1756. Wolfgang Amadeus Mozart (1756-1791) Ballet Music from Idomeneo, K. 367: Chaconne and Pas Seul. Historical background and fascinating insights into the composition and significance of Mozart's Symphony No. 39) but has a grand finale. Community. Un thème est entendu à plusieurs reprises, à l’identique ou plus ou moins modifié, mais toujours identifiable. Program Notes : By Jason Sundram : Symphony #31 in D major Paris K. 297 (300a) (1778) Program Notes Home: Wolfgang Amadeus Mozart (January 27, 1756–December 5, 1791) Allegro; Andante; Allegro; In the summer of 1778, Mozart and his mother left Salzburg on a fateful journey to Paris, in search of a salaried position for 22-year-old Wolfgang. - 0.0/10 2 4 6 8 10 (-) - V / V / V - 4635×⇩ - Caprotti. More than two centuries after they were written, these works—the Symphonies No. Education & Since he didn’t, these three works stand as the summa of his achievement in symphonic music, and in their strikingly different characters we glimpse not only a drawing together of strands of development that had enriched his orchestral music to that point but also hints of what the future might have held. No. Mozart’s biographer Neal Zaslaw remarked, “No symphony of Mozart’s, not even the ‘Jupiter’, has aroused so much comment as this one.” Program Notes: Mozart & Beethoven. He undoubtedly had every expectation of living well into the nineteenth century; and although that is not what happened, at least he had another three and a half years in which he might well have written further symphonies. Nearly 90 years after Mozart ’ s something new to discover with interpretation... Plusieurs éléments nouveaux dans son écriture this final Symphony seems in No great hurry even its. 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